Delhi: Celebrated designer duo Abraham & Thakore brought a refreshing twist to traditional Indian drapes with their latest collection "Warp & Weft", showcased on Day 2 of Lakme Fashion Week 2025 at The Grand, New Delhi.

Known for their timeless fusion of tradition and modernity, designers David Abraham and Rakesh Thakore reinterpreted the dhoti and lungi, transforming them into versatile, fashion-forward pieces. Their new collection balanced heritage with minimalism, offering elegant silhouettes that were both wearable and globally appealing.

In a joint statement, the designers said, "'Warp & Weft' brings together heritage and contemporary, textile and fashion, structure and flow, restraint and expression, reinterpreting the essence of Indian clothing in a contemporary vocabulary."

Traditional drapes, modern appeal

The collection experimented boldly with form: a bordered dhoti morphed into a handkerchief skirt or a baby doll top, while the lungi was styled as formal wear—challenging conventional ideas of ethnic fashion. The looks embraced black and white palettes, with subtle hints of red, reflecting a relaxed and minimal aesthetic.

With sequins, metallic accents, and fine embroidery, the garments maintained a delicate balance between sophistication and comfort.

Geometry, texture & gender-neutral style

Drawing from geometric motifs like stripes, checks, and grids, the collection leaned into structured yet fluid design, made with lightweight fabrics ideal for all-day wear. Menswear featured sharp textures and clean lines, while women's looks were styled with bindis and gajras, marrying traditional adornments with modern cuts—saris, kurtas, and dresses all made an appearance on the runway.

Veer Pahariya steals the show

Actor Veer Pahariya was the showstopper, wearing an ivory bandhgala and flared pants. The embellished jacket, much like the rest of the collection, appeared simple with minimal patterns

Actor Veer Pahariya was the showstopper, wearing an ivory bandhgala and flared pants. The embellished jacket, much like the rest of the collection, appeared simple with minimal patterns