In a heartfelt reflection, iconic Malayalam actor Mohanlal recalls the pivotal role tabla maestro Zakir Hussain played in the creation of the critically acclaimed film Vanaprastham (The Last Dance). The film, known for its intricate exploration of sound and silence, was profoundly shaped by Hussain’s exceptional musical contribution.

Mohanlal fondly remembers how, while contemplating the music of Vanaprastham, the resonating sound of Zakir Hussain’s tabla was the inspiration that brought the film’s musical soul to life. The actor acknowledged how the intricate percussion of Hussain, alongside other instruments like the chenda and maddalam, blended seamlessly with the spirit of Kathakali—the dance drama that forms the core of the film. “We invited him, and he came,” Mohanlal said, reflecting on the maestro’s involvement in the project.

Also Read

placeholder

People spreading rumours on temple visit, says music composer Ilaiyaraaja

Mohanlal described Vanaprastham as a film about silence woven between sounds, a concept Hussain understood deeply. “Zakir Hussain didn’t just play his tabla; he kept the silence within the sound. His music had a subtlety that enhanced the film’s essence,” said Mohanlal, highlighting Hussain’s unique approach to sound. He also recalled Hussain’s admiration for the powerful rhythms of Mattannur Sankarankutty, the chenda artiste, whose finesse the maestro believed was hard to replicate.

The bond between Mohanlal and Hussain went beyond the film. When Vanaprastham was accepted at the Cannes Film Festival, Hussain joined the team, and the actor reminisced about the moments spent with him in Paris and Venice. “Those moments are still etched in my memory,” said Mohanlal, sharing how Hussain’s presence remained a constant source of inspiration.

“No matter when or where I met him, he would always embrace me. While it was natural for me to recognize him, what amazed me was that every time, he recognized me despite being just a ‘simple’ actor from Malayalam,” Mohanlal noted.

The trio—Mohanlal, Shobana, and Zakir Hussain—had once planned a performance based on the changing seasons, an idea that never came to fruition. “We started preparing, but it was left incomplete,” said Mohanlal, now reflecting on the loss. With Hussain’s untimely passing, Mohanlal bids a heartfelt farewell to his friend, acknowledging not only his musical genius but also the cherished friendship they shared.

“To his fingers, and to the friendship, I offer my respects,” Mohanlal concluded, remembering Zakir Hussain’s profound impact on both his life and his work.