‘Thiranottam’, Mohanlal’s first film, shelved after just one screening: The story behind his debut

# Bhanuprakash
Mohanlal | Photo: N M Pradeep; Sunil Guruvayur/ Mathrubhumi
Mohanlal | Photo: N M Pradeep; Sunil Guruvayur/ Mathrubhumi

Long before the accolades and superstardom, Mohanlal’s first step into the world of cinema was with the film ‘Thiranottam’ — a project born of the dreams of him and a group of 17-year-old college friends. Despite facing numerous hurdles, the film never reached a full theatrical release, with only a single screening at Krishna Theatre in Kollam. Yet, the experience instilled in Mohanlal a resolute self-belief that became the foundation of his legendary career.

Mohanlal has often reflected that none of the bonds in his life were made consciously; friendships flowed naturally, shaping both his personal and professional life. It was during his pre-degree years that he first expressed an interest in acting, despite no one in his family having any connection to cinema. When he shared his ambition with his father, the response was simple, “Good, but finish your degree first”. Mohanlal never felt the need to undermine his father’s wishes, and kept his cinematic dreams private, nurturing them quietly in his heart.

His friends — Ashok, Suresh, Sanal, Unni and Pradeep — were all fellow dreamers of cinema. The group often gathered at the Indian Coffee House at Statue Junction in Thiruvananthapuram, which became their informal hub for film discussions. This British-era coffee house, now lost to time, remains etched in the memories of a generation. It was here that ideas for ‘Thiranottam’ were passionately debated, scripts shaped and plans laid.

The first script was inspired by I V Sasi’s hit Avalude Raavukal, but Ashok then developed a story around a girl’s mental condition, consulting multiple psychiatrists including Dr Mathew Velloor to ensure authenticity. Casting and production presented challenges: Venu Nedumudi was approached for the lead role, while Renuchandran, the daughter of the famed dancer Chandrashekar, was chosen as the heroine. Mohanlal himself took on the role of a mentally challenged child, with Suresh, Sanal, Pradeep and Unni supporting.

Every logistical challenge — from securing locations near their homes to converting a space into a studio, raising small amounts of money, and dealing with the health issues of producer Pachalloor Shashi — was met with determination. The team even navigated post-production hurdles in Madras, including editing, dubbing and censorship. Despite Thiranottam’s limited release, the film gave these young filmmakers immense confidence and set Mohanlal on his path to cinema.

Reflecting on those early years, Mohanlal has said that his father never obstructed his journey. His father’s silence, rather than opposition, was perhaps the greatest support, allowing Mohanlal to pursue his passion with conviction.